UDLCO summary : The inquiry into dimensionality in learning adaptations acknowledges that most academic learning has currently evolved into a process of objectively structuring subjective complex multidimensional real life data (blooms level 3-5) into a two dimensional space (blooms level 1 aka knowledge) that can be stored forwarded asynchronously and modeled conceptually to gain understanding (blooms level 2) through further analysis ( level 4) and evaluation (level 5) and then relooped into the learning ecosystem as creative communication/publication (level 6). This learning is cyclic and one can keep moving in and out of these levels at any entry or exit point regardless of level numbers.
UDLC transcripts:
[12/11, 8:35 AM] Rakesh Biswas: A renunciate explains to PM why the prime driver for optimal collective cognition for national development is education toward a sustainable ecological balance of attitude, ethics, communication, aka AETCOM and not let the youth fall prey to material pleasure driven vyabhichara
[12/11, 8:37 AM] Prof S : With " vyavichar" all around, ......such lecturing has any value???đ¤ˇđģ♀️
[12/11, 8:39 AM] Rakesh Biswas: Once it comes as an NMC circular it will
[12/11, 8:40 AM] Prof S Physiology : Well, let me be hopeful
[12/11, 8:47 AM] Prof S Physiology : Looks really good on-papers….
[12/11, 9:09 AM] Rakesh Biswas: And in video as in the above?
[12/11, 9:13 AM] Prof SaKlesh Peds : Even better
[12/11, 9:55 AM] Rakesh Biswas: Thanks for the profound inputs that acted as a cognitive stimulant.
Yes it's a dimensionality issue! When we say it looks good on paper we could mean current academic learning that is predominantly in two dimensional spaces that can often appear unreal to those who don't live inside their device screens!
In fact most academic learning has currently evolved into a process of objectively structuring subjective complex multidimensional real life data (blooms level 3-5) into a two dimensional space (blooms level 1 aka knowledge) that can be stored forwarded asynchronously and modeled conceptually to gain understanding (blooms level 2) through further analysis ( level 4) and evaluation (level 5) and then relooped into the learning ecosystem as creative communication/publication (level 6). This learning is cyclic and one can keep moving in and out of these levels at any entry or exit point regardless of level numbers.
Is it possible to learn directly from 3 dimensional lived life experiences doing away with the 2 dimensional modeling altogether?
Perhaps humans would need something like a biologically implanted multimodal AI tool in their BNNs to achieve that? @Dr Avneesh Khare đŽđŗ
More about our ongoing tryst to osce clinical dimensionality heređ
[12/12, 9:18 AM] Metapsychist Number 1 Kims 2015: Creating an ontology difference when there's none.
Labelling and sorting.
It's there now too,in different context.
Castes became religions and nations..
Only solution for this is intergalactic interdimensional travel/posthumanism.
Gotta involve aliens into the equation
[12/12, 9:20 AM] Rakesh Biswas: No ontologic difference between god, humans and AI...liens
[12/12, 9:23 AM] Rakesh Biswas: Again spurred my recent thoughts on dimensionality.
While I have become recently convinced how we academics are essentially engaged in converting three dimensional multimodal reality into manageable two dimensions, I was pondering about what would it be like to live in a unidimensional world of singularity?
Have postponed my google searching on it for now but if anyone here is interested in collaborating on the paper below then could help by sharing more about dimensionality to begin with :
[12/12, 9:22 AM] Metapsychist Number 1 Kims 2015: Politics between god and deities/aliens too!
[12/12, 9:25 AM] Rakesh Biswas: Aka anava mala that gives us our sense of separation as an object rather than being a subject and that also creates this constant sense of something that is lacking
[12/12, 9:31 AM] Metapsychist Number 1 Kims 2015: Exploring the concept of a unidimensional world is intriguing. In such a reality, complexity and diversity might be drastically reduced, potentially leading to a simpler existence.(Which is good too-Simplicity is the ultimate sophistication) However, it raises questions about perception, experience, and the nature of existence itself.
[12/12, 9:32 AM] Metapsychist Number 1 Kims 2015: 'Selfish gene' as mentioned by Richard dawkins,keeps the duality game going forever
[12/12, 9:33 AM] Rakesh Biswas: Also think how would life be in the x axis without the y axis?
Would it be like a singular point or bindu that is essentially a cross-section of the x or y axis?
[12/12, 9:34 AM] Rakesh Biswas: The two dimensional world that we academics love to create and where a large population hooked to their mobile screens also reside is also known as flat land
[12/12, 9:35 AM] Metapsychist Number 1 Kims 2015: Less variables in 2d mobile world compared to 3d outer world.
No variables in singularity
[12/12, 9:38 AM] Rakesh Biswas: How would it be like to reside in a world with no variables?
First chapter of conscious notebook?
Topic for eschatology?
Real world revisitation of dimensionality :
Revisited anew this amazing composition by Kabiguru on his birthday on the 25th of Baisakh
The raga kanada as a hindusthani raagang is itself not spoken of much and not much exists other than it's carnatic take, which itself has controversial origins!
Sadharana/Komal Gandhar (Ga) and Chaturshruti/Shudda/Komal Dhai vat (Dha) are vakra (zigzag) in descent and are used in phrases like gMR and dnP.
Thought I would update the translation keeping with the times :
Here it goes :
Are you just a few pixels
Creating an illusion
In my mobile x-y axis screen!
Are you not as real as
What I can see of
The cells and celÄē-estial bodies
Trillions apparently lying sessile
Inside a human body as tissue
And trillions in it's gut
Going back and forth
In it's internal and external medicine journeys?
Your cell-estial essentials
Seem to throb in it's multidimensionality
While you remain aloof in a dual dimension?
It seems it was just the other day
That I felt you in all your real dimensional glory
Although it could have been a million years from now
It's difficult to tell
I do know this now
You're not just a
Pixellated image
You are everything
That keeps my Android body going
I thank my electric stars
And cell-estial electric sheep
That I can't count and yet know
That they are the poetry
Inside the poet
Original translation by Kabiguru himself:
Are you a mere picture, and not as true as those stars, true as this dust? They throb with the pulse of things, but you are immensely aloof in your stillness, painted form. The day was when you walked with me, your breath warm, your limbs singing of life. My world found its speech in your voice, and touched my heart with your face. You suddenly stopped in your walk, in the shadow- side of the forever, and i went on alone. Life, like a child, laughs, shaking its rattle of death as it runs; it beckons me on, i follow the unseen; but you stand there, where you stopped behind that dust and those stars; and you are a mere picture. No, it cannot be. Had the lifeflood utterly stopped in you, it would stop the river in its flow, and the footfall of dawn in her cadence of colours. Had the glimmering dusk of your hair vanished in the hopeless dark, the woodland shade of summer would die with its dreams. Can it be true that i forgot you? We haste on without heed, forgetting the flowers on the roadside hedge. Yet they breathe unaware into our forgetfulness, filling it with music. You have moved from my world, to take seat at the root of my life, and therefore is this forgetting-remembrance lost in its own depth. You are no longer before my songs, but one with them. You came to me with the first ray of dawn. I lost you with the last gold of evening. Ever since I am always finding you through the dark. No, you are no mere picture.
Original in Bengali :
Tumi ki keboli chhobi,shudhu pote likha Oi - je sudhur niharika Jaara kore aachhe bhir aakasher nir, Oi jaara dinraatri Aalo haathe choliyachhe aandharer jaatri Groho taara robi, Tumi ki taader moto satya nao, Haay chhobi, tumi shudhu chhobi. Nayonosamukhe tumi naai, Nayoner maajhkhaane niyechho je thnaai - aaji taai Shyamale shyamal tumi, nilimay nil. Aamar nikhil tomate peyechhe taar antorer mil. Naahi jaani, keho naahi jaane. Tabo sur baaje mor gaane, Kobir antore tumi kobi - Nao chhobi, nao chhobi, shudhu nao chhobi.
āĻ¤ুāĻŽি āĻি āĻেāĻŦāĻ˛āĻ āĻāĻŦি, āĻļুāĻ§ু āĻĒāĻে āĻ˛িāĻা।
āĻāĻ-āĻ¯ে āĻ¸ুāĻĻূāĻ° āĻ¨ীāĻšাāĻ°িāĻা
āĻ¯াāĻ°া āĻāĻ°ে āĻāĻে āĻিā§ āĻāĻাāĻļেāĻ° āĻ¨ীā§,
āĻāĻ āĻ¯াāĻ°া āĻĻিāĻ¨āĻ°াāĻ¤্āĻ°ি
āĻāĻ˛ো āĻšাāĻ¤ে āĻāĻ˛িā§াāĻে āĻঁāĻ§াāĻ°েāĻ° āĻ¯াāĻ¤্āĻ°ী āĻ্āĻ°āĻš āĻ¤াāĻ°া āĻ°āĻŦি,
āĻ¤ুāĻŽি āĻি āĻ¤াāĻĻেāĻ° āĻŽāĻ¤ো āĻ¸āĻ¤্āĻ¯ āĻ¨āĻ।
āĻšাā§ āĻāĻŦি, āĻ¤ুāĻŽি āĻļুāĻ§ু āĻāĻŦি॥
āĻ¨ā§āĻ¨āĻ¸āĻŽুāĻে āĻ¤ুāĻŽি āĻ¨াāĻ,
āĻ¨ā§āĻ¨েāĻ° āĻŽাāĻāĻাāĻ¨ে āĻ¨িā§েāĻ āĻ¯ে āĻ াঁāĻ-- āĻāĻি āĻ¤াāĻ
āĻļ্āĻ¯াāĻŽāĻ˛ে āĻļ্āĻ¯াāĻŽāĻ˛ āĻ¤ুāĻŽি, āĻ¨ীāĻ˛িāĻŽাā§ āĻ¨ীāĻ˛।
āĻāĻŽাāĻ° āĻ¨িāĻিāĻ˛ āĻ¤োāĻŽাāĻ¤ে āĻĒেā§েāĻে āĻ¤াāĻ° āĻ
āĻ¨্āĻ¤āĻ°েāĻ° āĻŽিāĻ˛।
āĻ¨াāĻšি āĻাāĻ¨ি, āĻেāĻš āĻ¨াāĻšি āĻাāĻ¨ে--
āĻ¤āĻŦ āĻ¸ুāĻ° āĻŦাāĻে āĻŽোāĻ° āĻাāĻ¨ে,
āĻāĻŦিāĻ° āĻ
āĻ¨্āĻ¤āĻ°ে āĻ¤ুāĻŽি āĻāĻŦি--
āĻ¨āĻ āĻāĻŦি, āĻ¨āĻ āĻāĻŦি, āĻ¨āĻ āĻļুāĻ§ু āĻāĻŦি॥
Other poems in the consciousnotebook:
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